SCBWI Submission to the Productivity Commission regarding AI

SCBWI worldwide acts as a network for the exchange of knowledge between writers, illustrators, editors, publishers, agents, librarians, educators, booksellers and others involved with literature for young people. As a unified body, SCBWI acts as a powerful force to effect important changes within the field of children's literature, promoting new copyright legislation, equitable treatment of authors and artists, and fair contract terms.

There are currently more than 22,000 members worldwide, in over 70 regional chapters writing and illustrating in all genres for young readers, making it the largest children's writing organization in the world.

Founded in 1971 by a group of Los Angeles-based children's writers, the Society of Children’s Book Writers and Illustrators is a non-profit, 501 (c)3 organization which is one of the largest existing organizations for writers and illustrators.

SCBWI Australia East is an Australian chapter.  It is a dedicated community of children’s book writers and illustrators living in NSW, TAS, VIC, SA, QLD and the ACT, that offers opportunities to connect and grow careers in children's and young adult literature.

Authors and illustrators are at the heart of the creative industry in Australia and contributes over $2 billion to the Australian economy. SCBWI has serious concerns about the Productivity Commission’s recommendation that technology companies have a copyright exemption to train their AI models without seeking creators’ permission and without financial compensation. Large AI models have already trained Australian creators’ work – without consent and compensation – but seek to explore an exception to authorise such use.

Generative AI companies have scraped millions of copyrighted books from criminal pirate websites such as Library Genesis, Z-Library, and Anna’s Archive, all without permission. These sites have evaded enforcement, operating anonymously overseas and reappearing under new domains whenever action is taken against them. Major AI developers have used datasets built on this stolen material to train their models—profiting from intellectual property they neither created nor licensed. And those models now generate synthetic books that directly compete with legitimate titles—undermining discoverability, siphoning off royalties, and deceiving consumers. It is a systematic, large-scale infringement of creators’ copyright.

Creators are not anti-tech but it is essential to develop generative AI in an ethical way that includes fair payment for creator’s essential work. It is essential that AI developers are clear, transparent and obtain consent for use of copyright material and compensate creators fairly.

Valuing Australian-made stories and culture, protects creators rights to make and be paid fairly for their work. It protects Australian books, especially children’s books that provide quality literature for young people now and in the future.

 We advise all creators to add this to their websites and IP:-

NO AI TRAINING: Without in any way limiting the author/illustrator’s [and publisher’s] exclusive rights under copyright, any use of this publication to “train” generative artificial intelligence (AI) technologies to generate text is expressly prohibited. The author/illustrator reserves all rights to license uses of this work for generative AI training and development of machine learning language models.

Generative AI poses a threat to the lives of creators and the social, cultural, and economic value of their creative work.

Support material:-

Income of authors: National-Survey-of-Australian-Book-Authors-Summary.pdf

SCBWI Australia East: Australia East – SCBWI

SCBWI Australian Picture Book Illustrator Awards 2025 Winners and Judges' Report

The SCBWI Australian Picture Book Illustrator Awards recognise the talent of published Australian children’s illustrators, in visual narrative for picture books and graphic novels from early childhood to young adult. The Award is managed by SCBWI Australia East and is funded by the Copyright Agency.

There are two categories – Established and Emerging Illustrator Awards for Australian Illustrators with prize money to assist an illustrator with the creation of a new visual narrative picture book or graphic novel.

Judging Criteria

  1. Originality of the intended project 

  2. Creativity of the intended project

  3. Artistic and literary merit of the applicant’s body of work (assessed on grounds of stylistic and thematic achievement as demonstrated by portfolio and support material)

  4. Ability of applicant to create an excellent narrative with a significant visual component (as demonstrated by portfolio and support material) which may be textual and visual, or visual alone (wordless).

Our stupendous judges for 2025 are:
Clair Hume—Children’s Book Publisher at Thames & Hudson Australia
Victoria Selvaggio—Owner/Literary Agent at Storm Literary Agency
Erica Wagner—painter and collage artist, book publisher and creative consultant to storytellers

SCBWI is so excited to have such wonderful and hugely talented publishing professionals for this incredible award. So let’s get to the winners!

SCBWI Judges’ Report 2025 by Clair Hume, Victoria Selvaggio, Erica Wagner

General Comments

We were impressed by the standard of the entries and the quality of the proposed projects, which made the judging very challenging. During the assessment process we debated the criteria: originality, creativity, artistic and literary merit and the ability of the applicant to create an excellent narrative with a significant visual component. The artists on our shortlist demonstrated strengths in all these areas as well as a high degree of stylistic and thematic achievement. So, to help us make our final choices, we were guided by intuition and the projects that spoke to us, which we would be proud to represent, develop or publish, and which we felt would bring joy to children and families.

Established Illustrator Award

FIRST PRIZE: Jake Minton

The judges are delighted to award first prize to Jake Minton for ‘Rolling Rabbit’. With the engaging hook of the title, Jake portrays an energy-packed journey that touches on serious themes of compulsive behaviours, while sprinkling in humour that provides the needed balance. The simple text works beautifully in giving the narrative a fun rhythm to read aloud.

The story centres delight for children but has deeper layers of meaning waiting to be discovered. The themes of rushing, impulsiveness and accepting others for how they are will resonate with many and could spark wonderful conversations with children about what Rabbit might need to do – e.g. slow down and pay attention to his surroundings.

Jake’s stunning portfolio highlights his varied skills with a range of stylistic approaches across different children’s book formats, with Two Turtles showcasing dramatic and engaging visual components that rise to the challenge of a brilliant text. The judges were impressed by Jake’s motivation and authentic, self-aware approach to the next steps of story development and encourage him to experiment with his illustrative approach as he has outlined in his notes.

The judges look forward to seeing ‘Rolling Rabbit’ included among Jake’s already impressive publication list.

SECOND PRIZE: Kylie Howarth

The judges thoroughly enjoyed Kylie Howarth’s hilarious and charming ‘Rubber Chicken’ and were impressed by Kylie’s publishing history, confident folio and the careful and thorough thinking she is putting into this new project. The story feels original and very funny, and the characters’ behaviours are instantly recognisable and relatable. Kids would love this story with its humorous take on a popular and funny toy.

‘Rubber Chicken’ has excellent narrative and illustrative potential and the inherent humour, great pacing and sense of excitement would make this book great fun to read aloud. Rubber Chicken is an endearing character and the sample illustrations are appealing and full of life. It’s great to see Kylie’s intentions to explore textures and extend the range of her illustrations. Given the text’s compelling tension points, the judges suggest experimenting with a non-rhyming text. They would also love to see the main character have a stronger narrative arc, ideally allowing Rubber Chicken to solve his problem himself.

Finally, humour is selling well in Australian and US markets and the judges feel that with development this project has the potential to become a firm favourite at bedtime.

THIRD PRIZE: Jess McGeachin

The judges are pleased to award third place to Jess McGeachin for his sweet and inspired work ‘Letters for Ladybirds’. In the vein of The Jolly Postman, this sparkling idea of receiving letters from tiny garden creatures in their own languages is a fun and novel way to encourage readers to slow down and take notice of the small living things all around us.

Jess’s folio is impressive and highlights work reflecting his dedication to the craft of illustration. The judges are excited to see the evolution to a more analogue illustrative style. Jess has produced a wonderful range of books for children across fiction and non-fiction genres. While the outline for this project is intriguing and gives a clear idea of Jess’s vision for the work, the judges are eager to see how the interactions between the main character and the small creatures will be deciphered given the nature of their different languages.

‘Letters For Ladybirds’ includes both imagined and real elements with a novelty approach that will bring much enjoyment to child readers.

 

HIGHLY COMMENDED: Judy Watson

The judges see much potential in Judy’s story ‘Even Alligators’ which features an eccentric family dealing with various wild animals settling down to live with them. The humour in this work is thoughtfully child-centred with much agency given to its sweet ukelele-playing protagonist. The visuals are full of mischievous animals and a plucky child trying to save their distracted family members from being eaten by carnivorous plants and boa constrictors.  

Judy’s extensive and exquisite folio showcases a masterful illustrative skillset. The visual approaches she is experimenting with are exciting and with further story development, this project could be a standout.

HIGHLY COMMENDED: Jess Racklyeft

‘The Artist’ is an ambitious wordless picture book looking at the importance of making mistakes in creativity. The judges are pleased to highly commend this project.  It is a unique and playful look at making art with a beautiful message of embracing the imperfect.

The focus of the story of children reaching a certain age and becoming self-conscious about what they create is well articulated in Jess’s support material and it is great to see a child at the centre of the action. The judges encourage Jess to experiment with prose and see if this opens other possibilities for this idea.

Jess’s publishing history is prolific and her backlist of books provides a stunning range of stories for children. With further story development, the judges can see ‘The Artist’ being an important book about creativity, connection and individual ways of expressing our experience of the world.

HIGHLY COMMENDED: Ross Morgan

The judges were intrigued by Ross Morgan’s ‘The Den’, a longer form, graphic novel style picture book about a solitary boy searching for animals in an abandoned house and discovering a family of foxes. Ross’s intention, that nature constantly reminds us that our world is a shared space, has strong emotional and dramatic potential and the artwork and ideas he presents are evocative and atmospheric. Ross’s connection to the abandoned house also gives an underlying strength and authenticity to this project.

While the text and the visual narrative need development and a stronger arc for the main character would be great to see, the judges were excited by the possibilities of this project. Ross’s folio contains many accomplished illustrations – his lovely colour sense and his exquisite paintings exhibit a consistent style and personality, and his published works show subtle characterisations and expressive body language. The judges understand that Ross is wishing to expand his illustrative repertoire to include less time-consuming techniques but note that the texture and detail of his painterly work really stands out.

We encourage Ross to further develop his own unique visual language for this project.

HIGHLY COMMENDED: Anna McGregor

The potential of Anna McGregor’s creativity intrigued the judges. ‘Octavius is an Artist’ will relate to children discovering self-acceptance and offers educational components with the judges’ recommending end matter to explore the ‘how’ of the book.

The judges love how Anna delves into the process of playing with mediums and ink jets. It is fascinating to read about her experiments photographing colours mixing with water in a fish tank and then using these images as part of the illustrations within the book. This inspired approach could add further conversational layers as to the ‘why’ one would experiment in this way.

Octavius is presented as an artist at birth and the judges wondered if the story might be stronger if it focused more on Octavius’s journey to becoming an artist through embracing his expressive colourful ink.

It’s easy for children and adults to be drawn to Anna’s strong personal style – her beautiful books demonstrate captivating scenes with an abundance of emotion. The judges agree that ‘Octavius is an Artist’ has the potential to be another stunning book to add to Anna’s impressive list of titles.   

Emerging Illustrator Category

WINNER: Sarah Zweck

Our panel is thrilled to select Sarah Zweck as the winner of the Emerging Illustrator category. ‘The Best Day Ever’ is original, clever and humorous in the way it frames kids as grownups with a story of children doing their best to give their parents the time of their lives.

Sarah’s detailed notes, sample illustrations and well-imagined storyboard with a variety of perspectives allowed the judges to get a clear sense of her vision for this story. With creative development and some experimentation to strengthen the ending, ‘The Best Day Ever’ has the potential to become a delightful picture book with plenty of child appeal and potential for the illustrations to expand on the chaotic and humorous scenes.

Sarah has a beautifully bright palette that brings a contemporary sensibility to her classic style. Her folio reflects a strong grasp of composition, characterisation and design, showcasing delightful characters, incredible patterns and a clear understanding of scene and perspectives.

For an emerging author-illustrator the judges feel she shows great promise.

HIGHLY COMMENDED: Anke Noack

The judges are delighted to highly commend Anke Noack for ‘Kai and the Lightning Seeds’, an adventurous story that embraces the power of imagination. From a well-proposed outline to an engaging storyboard, the judges are impressed with Anke’s process and vision.

Clearly, much work went into this thoughtful submission with convincing support material and an exciting folio. The judges feel there is potential in Anke’s idea and suggest considering a stand-alone book instead of a series. The idea of an unknown Darkness and special lightning seeds as a portal to another world is engaging and the themes of sustainability and curiosity for the natural world are compelling. Anke’s visual style shows much promise to sit alongside the comparison works.

The judges wish Anke well with this ambitious project.

Congratulations to all the winners!

SCBWI Australia East would like to thank
the Copyright Agency for funding this Award.

Call for Submissions to Productivity Commission on AI

The Productivity Commission has been asked by the Australian Government to conduct an inquiry into harnessing data and digital technology. It is now seeking feedback on a change to Australia’s copyright system to allow text and data mining (TDM) by multinational technology companies. As part of this work, they have been tasked with identifying priority reforms and developing actionable recommendations.

In this interim report, the PC presents draft recommendations focused on four key policy reform areas:

·      Enable AI's productivity potential

·      New pathways to expand data access

·      Supporting safe data access and use through outcomes-based privacy regulation

·      Enhance reporting efficiency, transparency and accuracy through digital financial reporting.

They are inviting feedback and further information from individuals, businesses and organisations by September 15, 2025. The commission will review the feedback and make final recommendations by the end of 2025.

SCBWI will make a submission arguing for protections for kids’ book creators but we are also encouraging all SCBWI members to make submissions to the commission and to write to your member of parliament. We’ve included text below that you may like to consider as a guide.

Dear xxx

I am a resident in your electorate and a professional children’s book author/illustrator  who visits schools across Australia to inspire kids to read and write.

I express grave concern about the recent Productivity Commissions recommendations that technology companies have a copyright exemption to train their AI models without seeking the authors permission and without financial compensation.

As you are aware authors/illustrators receive unsustainable payment for their work. Many have other jobs in a variety of other roles in addition to writing/illustrating to financially survive. If creator work is unfairly used without adequate permission or payment, we will cease to be able to keep making Australian stories for Australian kids.

Australian culture is intrinsic to our books. Australian youth need to engage in our ethics and values. It is vital to advocate for our creators to retain their copyright. The support of large big-tech corporations in the face of our creators, is a David and Goliath battle.

We implore the commission to support our values and creators.

Kind regards,

Xxx

Please find the link to making a submission here:

https://www.pc.gov.au/inquiries/current/data-digital/interim

Other helpful links:

https://www.youtube.com/watch?v=XPQGn6g6TNA

In this webinar Copyright Agency CEO Josephine Johnston and Director Policy, Government and Member Relations Libby Baulch outlines the issues with the Productivity Commission's interim report, what Copyright Agency is doing and how we are working with allies in the creative industries.

Link to CALs statement:

https://www.copyright.com.au/2025/08/copyright-agency-welcomes-governments-continued-support-for-australias-copyright-system-in-the-age-of-ai/